By Kelly Bridgewater
Back
Cover Copy:
Bound together across time, two
women will discover a powerful connection through one survivor's story of hope
in the darkest days of a war-torn world.
Present Day—With the grand opening of her new art gallery and a
fairytale wedding just around the corner, Sera James feels she's stumbled into
a charmed life—until a brutal legal battle against fiancé William Hanover
threatens to destroy the perfectly planned future she’s planned before it even
begins. Now, after an eleventh-hour wedding ceremony and a callous arrest,
William faces a decade in prison for a crime he never committed, and Sera must
battle the scathing accusations that threaten her family and any hope for a
future.
1942—Kája Makovsky narrowly escaped occupied Prague in 1939, and
was forced to leave her half-Jewish family behind. Now a reporter for the Daily
Telegraph in England, Kája discovers the terror has followed her
across the Channel in the shadowy form of the London Blitz. When she learns
Jews are being exterminated by the thousands on the continent, Kája has no
choice but to return to her mother city, risking her life to smuggle her family
to freedom and peace.
Connecting across a century through
one little girl, a Holocaust survivor with a foot in each world, these two
women will discover a kinship that springs even in the darkest of times. In
this tale of hope and survival, Sera and Kája must cling to the faith that
sustains and fight to protect all they hold dear—even if it means placing their
own futures on the line.
My
Review:
Becoming
a World War II historical fiction obsessed fan lately, I was drawn to Kristy
Cambron’s first novel, The Butterfly and
the Violin. It was an enjoyable read and quick to devour. I couldn’t wait
to jump right in and lose myself in the flow of Cambron’s writing. My
expectations were truly met.
From
the first moment at Serene and William’s wedding, the story takes off with a
number of surprises and keeps piling higher as the story unfolds. The dueling
plots, which flowed seamlessly in The
Butterfly and the Violin, return in A
Sparrow in Terezin. Moving from present day to the 1940’s is an easy
transition with no jarring jumps from period to period. I have only one issue
with the pacing of the story, and it is how long it took to introduce the
connection between the two time periods. In The
Butterfly and the Violin, the two timeline’s association is shown in the
first chapter, whereas, in A Sparrow in
Terezin, readers did not know the link until about forty percent through
the book. Not that it ruined the story, but it would have been nice to know why
the story of Kaja is important to Serena near the beginning. Cambron’s love of
World War II and art history associated with the children’s art in Terezin bled
from every page, making the original and unpredictable story world come to life
for me.
Serena
and William, who are the main characters in the present day timeline from The Butterfly and the Violin, returns
with more mystery to the story they began in the first book. Serena still tries
to figure out how to fit into the Hanover family while William finally learns a
valuable lesson in forgiveness. I enjoy returning to familiar characters who I
have loved from the first book. On the other hand, the 1940’s timeline iss
populated with Kaja and Liam, new characters who work in a newspaper office
where their love sparks and blossoms. Their romance made me sigh and smile. I
truly love how Cambron makes a pair of historical characters who tug at my
heart. I hope Cambron brings their story back to life in another book.
The
conflict in the 1940’s timeline reminds me of why I have fallen in love with
the genre. I learn more about what went on during World War II without being
preached out and bored to tears like a history lesson taught in a monotone
voice at school. As I watch the tension with the guards interacting with the
children, my heart aches for the harm to these innocent children.
Cambron
shows why she’ll be around for a while with her command of the English
language. Her prose strengthens the internal monologue and dialogue of each
individual character. I felt like a reporter behind the camera, watching the
horror from the characters’ eyes and listening in on their personal train of
thoughts.
Fans
of Sarah Sundin, Kate Breslin, Cara Putnam, or Liz Tolsma will not be
disappointed by this story. Just as a warning, there is a moment of a man being
beaten on a line, so if younger readers are enjoying the story, adults might
have to answer why this happens. However, it shows the reality of this horrible
time in human history, and I believe it is necessary to strengthen the story.
Overall,
Kristy Cambron’s A Sparrow in Terezin
is an engaging tale, showing the horrors of Terezin under the Nazi rule while
creating gripping characters that stays with the readers long after the story comes
to a satisfying ending.
I receive a complimentary copy of A Sparrow in Terezin from Thomas Nelson
through Net galley and all my opinions are my own.
This review first appeared on The Christian Manifesto on April 3, 2015.
This review first appeared on The Christian Manifesto on April 3, 2015.
From Kristy Cambron's Amazon Author Page |
How
to Connect with Kristy Cambron:
Where
to Purchase A Sparrow in Terezin:
Wherever books are sold
What draws your attention to the World War II genre?
What draws your attention to the World War II genre?
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